Aavesham : a movie review
“Aavesham” is a gangster comedy film that revolves around the enigmatic character Rangan, portrayed by Fahadh Faasil. The movie follows three Malayali students in Bengaluru who befriend Rangan with the intention of seeking revenge on their seniors who had previously assaulted them. Directed by Jithu Madhavan, the film explores themes of ambiguity, friendship, and the consequences of seeking revenge. Despite Fahadh Faasil’s captivating performance and the film’s pulsating score, “Aavesham” is criticized for its thinly-plotted storyline and underdeveloped characters, particularly the lack of substantial female representation. Overall, “Aavesham” offers an entertaining cinematic experience, albeit with some notable flaws.
Introduction: Fahad Faasil’s Captivating Performance
- Setting the stage with a tense moment in “Aavesham” involving Fahad Faasil’s character, Rangan.
- Discussing the cleverly crafted scene that challenges the audience’s understanding of Rangan’s character.
Director’s Approach: Jithu Madhavan’s Success with Ambiguity
- Highlighting filmmaker Jithu Madhavan’s successful portrayal of ambiguity in Rangan’s character.
- Drawing parallels with Madhavan’s previous work, “Romancham.”
Description of “Aavesham”
- Overview of the film’s premise and main characters.
- Listing key details such as the director, cast, and runtime.
Character Dynamics: Rangan and Ambaan
- Exploration of the relationship between Rangan and his sidekick, Ambaan.
- Analysis of Fahadh Faasil’s portrayal of Rangan compared to mainstream gangster characters.
Strengths and Weaknesses of the Film
- Acknowledgment of the film’s strengths, including Faasil’s performance and the musical score.
- Critique of the film’s weaknesses, particularly in plotting and character development.
Character Representation and Gender Dynamics
- Commentary on the lack of substantial female characters in the film.
- Highlighting Bibi’s mother as a memorable character and her impact on the narrative.
Overall Tone and Theme
Reflecting on the film’s preference for loudness and quirkiness over introspection.Speculating on the connection between Rangan’s desires and the film’s thematic elements.
